‘Lucifer’ is the third full length release from Peaking Lights - due for release through us here at Weird World on June 18th 2012 (and through Mexican Summerin the USA a day later.) With it, the golden duo of Aaron Doyes and Indra Dunis continue to crystallize their mesmerising sound and find new dimensions within. Lucifer comes at a time of great transition for this married couple and it reflects the possibilities that they have found during this new life era, especially with the birth of their son, Mikko- a guiding light muse for the album.
Recorded in Brooklyn at Gary’s Electric studio over the course of a month and self-produced with the help of engineer Al Carson (Yeasayer, Onehotrix Point Never), Peaking Lights consider Lucifer a nocturnal version of their sound. “To us this record is about play and playfulness, unconditional love, rhythms and pulses, creation and vibration,” says Coyes. Lucifer is also Peaking Lights’ most ambitious release to date in terms of its approach and scope – boasting much to please anyone previously seduced by the genre-defying, gritty grooves and enchanting, sensual melodies of the band’s earlier work but also proving an altogether more heavy, propulsive and focused effort. Incredibly, there’s even space within Lucifer for Coyes and Dunis’ already insanely broad palette of influences to widen even further – touches of analogue electronic dance music, sound collage and straight up pop joining the dub, krautrock and minimal disco of ‘936’ in a hypnotising concoction.
Though the name Lucifer may carry sinister connotations to some, to Peaking Lights it represents the start of something new. “All of our record titles have come to us in dreams, daydreams and epiphanies.” says Coyes. “Lucifer sat so strong with us. It means ‘Venus, bearer of light’ and is the first sign of the sunrise. There are some major astrological and astronomical events involving Venus in this year of 2012.”
“The songs on ‘Lucifer’, by most people that have heard them, so far conjour a night time version of previous works, music to soundtrack the moonrise to the sunrise. To Indra and I, though there are similarities to earlier recordings, this stands on its own its changed us, or maybe we were already changed when we wrote it and it is that cathartic release. There was a new approach to recording our rhythms and we were able to see thru many more influences.”